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The speed of the electrons can be calculated from an energy balance: 0.5mv 2 = eV, or v = √2eV/m. The electron current is a few microamperes. By adjusting this voltage, the focal length of the equivalent electron lens is changed. The electrons are accelerated by a second anode at high potential, more than 500 V in most cases, which is in two parts, separated by a first anode at a somewhat lower voltage. The intensity is regulated by the negative potential on a thimble in front of the cathode that has a small hole which is the approximate point source of electrons. The source of electrons is a thermionic cathode. The electron gun produces a beam of high-speed electrons focussed to a small spot on the screen. The fluorescent and phosphorescent light are usually different colors. The light emitted at or soon after electron impact is fluorescence, while delayed light is phosphorescence. The "phosphor" is a luminescent material that emits light when excited by energetic electrons. We will mainly be concerned here with the oscilloscope display tube, which has electrostatic focusing and deflection, and a monochromatic, short persistence phosphor. The common picture tube is a CRT with magnetic focussing and deflection, often containing three electron beams that are directed to separate phosphor spots to display different colors, and which are modulated to display different intensities. It is essentially an inertialess pointer that can be moved rapidly in two dimensions, and can be modulated in intensity. The Cathode-ray tube (CRT) consists of an electron gun, deflecting apparatus, and luminescent screen. Polaroid photography of oscilloscope screens was popular until digital scopes, that stored a digital record of events, became available. Such displays were necessary for the radar of the 1940's, which would hardly have been possible without them. Later, electrons exposed the plates through a very thin metal window, but before long brighter luminescent screens were developed, creating the oscilloscope, on which the display could be watched visually, and even photographed with short exposures to record transient events. An oscillograph records what happens in a brief interval of time somehow, in some early devices on a photographic plate placed inside the vacuum, so the apparatus had to be pumped down for each exposure. The first high-vacuum oscillograph of the modern type was demonstrated by Zworykin in 1929. Today, we can hardly imagine an electronics laboratory without one. In spite of all this activity, the oscilloscope did not really come into widespread use until much later. In 1908, ZnS was suggested as a luminescent material by Giesel and Zenneck for brighter screens. This was an attempt to amplify analog signals that was soon superseded by triode amplifiers. The curious and almost forgotten development of cathode-ray relays by von Lieben and others around 1910 used similar tubes, as well as electrostatic deflection. Ryan, in the United States, had a 5" tube made in Germany which used magnetic deflection, with which he studied waveforms in 1903. MacGregor-Morris used a Braun-Zenneck type tube in England in 1902. Long photographic exposures were necessary to record the repetitive pattern on the dim luminescent screen. Zenneck improved Braun's tube in 1899, using a linear sweep to display waveforms. Thomson indeed used a sort of cathode-ray tube, and it was only necessary to adapt it to engineering measurements. Ferdinand Braun in Germany seems to be the pioneer, reporting his work in 1897. The idea of an oscilloscope to display transient phenomena appeared actually very early. Although CRT's are still widely used in oscilloscopes, the manufacturers seem to use tubes specially designed for them, while commercial types such as the 2AP1A are not produced, since people do not generally make their own oscilloscopes. Because of the serious high voltage, a CRT should not be made on the breadboard, but properly constructed in a permanent form. These are the two most expensive components, followed by the 5" x 10" x 3" aluminum chassis and the potentiometer controls. A CRT and a power transformer can be purchased from Antique Electronic Supply, 6221 S. Happily, it turns out to be quite possible to make an oscilloscope from scratch for about $100, which is not really a great deal these days. The CRT is still in widespread use, the most numerous survivor of the vacuum tube tribe, and has much intrinsic interest besides, so it would make a good laboratory exercise. The three parts are the scope itself, the deflection amplifiers, and the power supply for the deflection amplifiers. However, I built the oscilloscope shown at the right. The cathode-ray tube oscilloscope is an experiment that I had thought was beyond the scope of these pages, mainly because of the cost and difficulty of obtaining the components. "Tuck Tape".usually comes in Red.sorta see threw.but compatible with VB. their is a special tape used for vapor barrier. I somehow knew that the masking tape wouldn't be right. I asked a guy at Home Depot and he told me to use the masking tape! I just walked away from him. Looks like the basic 6mil to me.īTW, when I tape down the VB overlaps, am I supposed to some "special" tape? Might just be the 'Marketing' of their "Pergo Moisturebloctm Film" as described here. What's this "additive for increased alkaline resistance" anyway? I was at Home Depot looking for vapor barriers and molding and saw Pergo's special VB. 6mil is pretty much standard that Ive seen.and used. Im not familiar with that product or the supplier 'BJ's.but I wouldnt go with their recommendation of 2mil. I'm gonna use 0.6 though like you recommended. They just recommend 0.2mm polyethylene sheeting. If you would like to speak with one of our experts, call us at 76 or contact us. Our friendly, knowledgeable staff is here to answer your questions and fulfill orders Monday-Friday from 6 a.m. We protect and enhance projects from the ground up with reliable solutions, responsiveness, and quick turnarounds.Īs an Americover customer, you will receive the personalized support of a dedicated account manager to simplify the ordering process and ensure the best solution for every one of your projects. Trusted by contractors and distributors across construction and agriculture industries, our American-made products combine reliability with quality and innovation. Trusted by Growers, Builders, and DistributorsĪmericover is the smart source for polyethylene and plastic sheeting. Lastly, keep in mind the colder the environment is, the longer it will take for the bond to set. In order to ensure that the tape sticks well, remove any contaminates or dust prior to adhering the tape to a surface. When you are ready for installation, you should keep it at room temperature for a minimum of 24 hours. To extend the shelf-life of the Vapor Tape, we recommend you store it in temperatures less than 85° F/ 30° c, with humidity 50% or less. Best Practices for Storing and Installing Vapor Tape Vapor tape is conformable, flexible, and can contribute toward satisfying EQ Credit 4.1 (Low Emitting Materials) under LEED®. It can withstand outdoor exposure and moisture in operating temperatures of 40 to 200° F and 40-60% humidity. The polyethylene film backing combined with the natural rubber make Vapor Tape waterproof as well as solvent and weather resistant. Over time (within as little as a day or as long as a couple weeks) the adhesive will become more aggressive resulting in a permanent bond. This time lapse allows you to reposition the tape if needed, because – let’s face it – most of us don’t get it right on the first try. Vapor Tape does not have a high tack with first contact like duct tape. It simply means the more pressure you apply when installing it, the faster the adhesive bond will become permanent. For this specific tape, pressure-sensitive refers to the initial bond to the surface. Vapor Tape is a one-sided tape manufactured with 8 mil thick polyethylene film and a pressure-sensitive, natural rubber adhesive. There are 3 major adhesive category types – Acrylic, Rubber and Silicone – each with their own adhesive systems that perform differently. Not all tape adhesives are created equal. As experts on adhesives, we’re here to clarify what you should expect using Vapor Tape, how it’s different than other tapes, and how to store it. However, if you aren’t clear on how Vapor Tape works or the best practices for storing and installing the tape, you might find that the tape isn’t sticking as you’d expected. Using tape seams is an excellent alternative to heat welding or solvent welding especially when site conditions or weather become a factor. Vapor Tape is a high performance seaming tape most commonly used to seal or join large overlapping panels of vapor barrier liners together. Azulejos Manual Marques Antunes, Alcabidiche (Sintra)įollowing in the footsteps of his father, Manual started his azulejo career in 1947 (!!) while working on a project for Lisbon Zoo. Pair your visit with a tasting at José Maria de Fonseca or the 16th century wine palace Quinta de Bacalhôa (it’s filled with tiles). This excellent looking tour will take you there. We were able to watch three or four staff hand painting tiles in the small studio space. When we dropped in one of the workers kindly showed us how they created the two styles of tiles, embossed and flat, and how they hand painted each with patterns or otherwise. Located a 25-minute drive south of Lisbon in a cute town best known for its wine making, Azulejos do Azeitão is a small tile factory that produces everything by hand. If you want to go behind-the-scenes you can visit the factory in Ajuda with a guided tour.Ī post shared by Viúva Lamego Azulejos de Azeitao, Azeitão The boutique itself is stacked full of incredible hand-painted ceramics that are all one-of-a-kind and look antique. Since 1741 this tile manufacturer has been producing hand-painted tiles and ceramics. This tile shop in Chiado is linked to Lisbon’s oldest tile factory, Fábrica de Sant’anna. Where to shop for azulejos in Lisbon Tile factories in Lisbon Fábrica de Sant’anna, Chiado Here’s where to shop for real, ethical azulejos and tiles around Portugal. You can buy antique-looking tiles but try to avoid real antiques. Portugal’s Polícia Judiciária, the police branch that deals with major crimes even has a whole department dedicated to the theft of tiles called SOS Azulejo. There’s a good chance that tile you bought was irreplaceable. I can appreciate you wanting an authentic, antique souvenir, but just picture the hole left behind on an innocent wall somewhere in Portugal. If you do then you are increasing the demand for stolen tiles, which makes you part of the problem. Don’t buy second-hand tiles at flea markets like Feira da Ladra or otherwise. Unfortunately there are problems with azulejos being stolen and sold on the black market. If you adore the beauty of tiles that cover buildings in Portugal, please take only photos or seek out tile replicas. Please avoid buy second-hand azulejos at markets or from any unreputable sellers. That’s a win-win! Let’s go shopping… First, a warning about buying second-hand tiles If you find yourself drawn to the practical square ceramics use this guide on where to shop for tiles or azulejos in Portugal.īetween small tile ateliers and big tile factories, there are dozens of options for you to take home a unique Made in Portugal tile, azulejo or ceramic piece while also supporting living artisans and not destroying the country’s heritage. Of course, if you’re visiting Portugal you’ll want to take home a unique memento or souvenir of your time here. It’s hard not to fall in love with the unique patterns and colours that blanket whole buildings and make this small European country and its streets beloved for their beauty. Portugal’s azulejos or tiles seem to be everywhere you look across Lisbon, Porto and Portugal’s smaller cities. Suddenly it was reasonable to mix in a track that normally would be way out of a equivalent tempo range. In our field testing, we found that Serato’s Pitch ‘N Time DJ was far and away the winner among the major three DJ softwares (as noted in the comments, it is the only algorithm that costs extra – a $29 purchase) After getting used to it, it actually opened up significantly more mixing possibilities. We decided to take the most recent versions of Serato DJ, Virtual DJ, and Traktor Pro and run a side-by-side test of their keylocking algorithms. If you wanted a 20% slower version of a track that kept the original pitch intact, your best bet would have been to commission a new version of the song to be recorded in a studio. Key lock is one of the areas where there simply isn’t anything close to equivalent in a pre-digital world. Many old school DJs argue that most of the features of digital DJ software don’t actually offer anything beyond convenience. IN ACTION: KEYLOCK ENGINES IN DJ SOFTWARES Watch YouTube’s ellaskins explain and demo Master Tempo on Pioneer CDJ-700 MK2s all the way back in 2007 to get a good idea of what relatively early digital keylocking on DJ hardware sounded like: This traditionally has meant you hear a lot of audio chopping and artifacts, especially as the key-locked tempo moves out of a 5% range from the original BPM. This came at the cost of audio quality – when a track is slowed down, it’s subjected to time-stretching algorithms and the waveform is sliced up to fill the additional space between beats. The new function allowed DJs to adjust the BPM of a track without marring the pitch. With the introduction of “Master Tempo” features in DJ equipment and software, this all began to change. The technology used in DJing (primarily turntables) meant there was no distinguishing between key and tempo. In traditional DJing, the ability to adjust tempo and pitch of a track were inextricably connected to each other – speed up a track and the pitch increases accordingly. The 6% Rule was a simple guideline for pre-DAW producers and remixers. If you adjust a song’s tempo by 6%, it’s equal to moving the song one key on a keyboard in the same direction. WHAT IS KEYLOCKING? The 6% rule in effect – +6% on the left and -6% on the right. Today we investigate how well keylock works in three softwares – read more inside and listen for yourself. Want to slow down a track 40% and keep it in key? It takes a powerful engine to make that happen. 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ZDNET's recommendations are based on many hours of testing, research, and comparison shopping. This was another component blend choice that aimed to offer the La Scala's as transparent and neutral a source as possible.īottom line, IMHO good horns should not be mated to source electronics with the aim of attempting to smooth over any possible brightness or edginess with a bunch of harmonic distortion. The high frequencies were neither granular nor dull, but held in check the slight propensity for the top two octaves of the SL700 to be too forward."Ĭombining the amps "sound" or rather the lack of it, along with some details like the amps high input sensitivity 0.775, and 137k input impedance, made it a perfect choice to be mated to a full passive preamp. This is one hell of a transparent amplifier. I am not quite talking "straight wire with gain," but their faults were minor. "Enough of the grumbles: what did the VTL 100W Monos do to the sound of my system?įirst, as any power amplifier should, they did very little. Strictly ultralinear with no triode switching or SET builds. Noise levels, too, were impressively low, measuring –90dB, unweighted, with the input shorted, this improving by just over 6dB when an A-weighting network was switched in circuit ahead of the meter."ĭesigner David Manley during this period of his life had been designing/building tube gear for the recording studio and was focused mainly on making his designs as transparent as possible rather than turning them into some sort of expensive distortion producer. "On the test bench, you could have been forgiven at first for thinking that this VTL was a solid-state design, the small-signal frequency response (1V into 4 ohms) extending from 2.2Hz to 77kHz (–3dB). He started off the measurement section of the review saying this, The VTL's I purchased was done in large part due to the measurements and listening review done by John Atkison of Stereophile. I did run VTL tube power amps for close to 20 years and my choice of them was done using somewhat unusual criteria in the face of today's trends. Click to expand.As a 30+year owner of La Scala's I will only make a short comment here against your conclusions. Also Read – OpenCV Tutorial – Image Colorspace Conversion using cv2.Img_gray = cv2.cvtColor(img,cv2.COLOR_BGR2GRAY) The parameter to be used with this function for the grayscale is COLOR_BGR2GRAY as we can see in the below example. In the next technique, the image can be changed to grayscale with the help of cv2.cvtColor() of OpenCV module which is used for colorspace change. Image Grayscale Conversion with OpenCV – cv2.cvtColor() Here, the first parameter specifies the input to be transformed. Then, convert this image to grayscale using cv2.cvtColor(image, colorspaceconversion) function. Read the image by providing path of the image in imread(path of image) command. Window_name='Grayscale Conversion OpenCV'Ĭv2.namedWindow(window_name, cv2.WINDOW_NORMAL)Ĥ. To apply thresholding, first of all, we need to convert a colored image to grayscale. Using the OpenCV library functions to convert. In this first approach, the image can be changed to grayscale while reading the image using cv2.imread() by passing the flag value as 0 along with the image file name. convert() function from the Pillow Imaging Library (Fork) to convert image to grayscale in Python. OpenCV is the most popular image processing package out there and there are a couple of ways to transform the image to grayscale. Image Grayscale Conversion with OpenCV – cv2.imread() The ‘L’ parameter is used to convert the image to grayscale.ģ. In this example, the image is read with Image.open() and then it is transformed with convert() by passing ‘L’ as the parameter. Pillow is another image processing library of Python which can be used to convert image to grayscale with its img.convert() function. Image Grayscale Conversion with Pillow (PIL) – convert() imread ( 'image.In the below example, the image is read using io.imread() and then it is converted to grayscale with color.rgb2gray() and finally it is displayed with io.imshow()Ģ. We can read only the grayscale data directly from the original image using the imread() and setting the second argument (mode) to 0: rgb2gray ( img )Ĭonvert an Image to Grayscale Using cv2.imread() From the OpenCV Package To use it import the skimage io and color classes, read the image then convert it like this:įrom skimage import color from skimage import io img = io. As a matter of fact, ayscale (img) directly calls img.convert ('L') according to the implementation. ayscale (img) is equivalent to img.convert ('L'). Pillow supports most standard modes, including black-and-white (binary), grayscale, RGB. 1: This image mode is true black & white. grayscale () one: from PIL import Image, ImageOps i Image.open ('oldimg.jpg').convert ('L') g lorize (i, black'cyan', white'white') g.save ('newimg.jpg') or just add the command. And don’t forget only png and gif image file types support transparency channel. Convert your image to the 'L' mode (luminosity, grayscale), and then use the. This mode can be used to achieve grayscale images with transparency. The Python scikit-image package has the built-in color.rgb2gray() function for converting images to grayscale. You can use the method nvert to convert a PIL.Image to different modes. The mode of an image describes what type of image youre working with. LA: Represents L with Alpha transparency channel. To retain the alpha channel set the mode to LA:Ĭonvert an Image to Grayscale Using color.rgb2gray() From the scikit-image Package open ( '/path/to/image.jpg' ) img_gray = img. Here is a full example of converting an image to black and white using Pillow in Python:įrom PIL import Image img = Image. The mode for 8-bit grayscale is L and 1 is 1-bit. The nvert() function from the Python Pillow package converts images into different color modes. In this tutorial, we will learn how to grayscale an image in Python.Ĭonvert an Image to Grayscale Using nvert() From the Pillow Package Grayscaling is the process of converting an image with a color space such as RGB to just having different shades of grey for each pixel. 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